The new Panasonic Lumix DMC LX2 is successor to the DMC LX1, which has received high acclaim worldwide for its unique 16:9 wide CCD, plentiful functions, and smart design. The DMC LX2 inherits the f2.8 28mm wide angle Leica DC lens, 4x optical zoom (equivalent to 28 112mm on a 35mm film camera), and Mega O.I.S. (Optical Image Stabilizer) system in addition to an enhanced CCD capable of taking images at 10.2 megapixel resolution, as well a larger, 2.8 inch 16:9 wide LCD.
The DMC LX2 is unique in that it incorporates three "wide" features: a 28mm wide angle Leica DC lens, 16:9 wide CCD, and 16:9 wide LCD. Not only that, the LX2 is further distinguished from other cameras by its full manual controllability with a joystick allowing users to easily enjoy creative shooting. The DMC LX2 also boasts a Venus Engine III high performance image processing LSI to dramatically reduce the noise that challenged the predecessor, realizing image recording at maximum ISO 1600 high sensitivity setting at full resolution.
To fight against the major cause of blurred images, Panasonic invented the Mega O.I.S. system, taking advantage of its superior lens technology to compensate for handshake. In addition, to also compensate for the other major cause of blurred images movement of the subject the LX2 is also equipped with the world's first Intelligent ISO Control (hereafter I.I.C.) and high sensitivity recording capabilities, up to a maximum ISO of 1600, within the advanced image processing LSI Venus Engine III. When set to the I.I.C., the Venus Engine III detects the subject's movement and adjusts the ISO setting and shutter speed to best suit the subject movement and the light condition automatically. Panasonic's excellent image stabilizing system allows users to take clear, crisp images in any situation, leaving everything to the camera.
The Lumix LX series are distinct from other compact cameras in the way they feature extensive manual controls including manual focus and manual exposure which can be smoothly operated with a joystick. This joystick further provides operation shortcuts to the frequently used settings including white balance, ISO, image size, compression format, light metering, and AF mode by simply pressing and holding it. It also allows exposure compensation and selection of one out of nine focusing areas.
The aspect ratio is easily selectable between 16:9 wide, 3:2, and conventional 4:3 with a switch located on top of the lens barrel to shoot in the framing aspect that best suits the subjects' composition or image's purpose of use.
In addition, the DMC LX2 is capable of recording wide 16:9 high definition (1280 x 720) motion image at 15 frames per second (fps).
Other features that elevate the DMC LX2 are the incorporation of 13MB of built in memory and the battery life that has been extended to up to 300 pictures on one charging (CIPA standard), so you won't miss those great spur of the moment shots. A print mode has been added to the mode dial so that you can print the images quickly and bundled software allows users to edit and develop RAW files.
The unique 16:9 wide CCD and 28mm wide angle Leica DC lens provide a unique view of the world and which is refined by the Panasonic's excellent image stabilizing systems of Mega O.I.S., the high sensitivity recording, and the I.I.C.
The Lumix DMC LX2 is like no other compact camera, enabling both high end amateurs and entry level users to explore the creativeness that surely enhances the joy of shooting.
10.2 Megapixel 16:9 Aspect CCD and f2.8 28mm Wide Angle 4x Optical Zoom Leica DC Lens
The DMC LX2 features a 10.2 megapixel 16:9 aspect CCD and f2.8 4x optical zoom 28mm wide angle (equivalent to 28 112mm on a 35mm film camera) Leica DC Vario Elmarit lens. Incorporating three aspherical lenses provides high optical performance while preserving the compactness of the unit. The aspect ratio can be easily selected between 16:9 or 3:2 in addition to the conventional 4:3 with a switch on the lens barrel on a shot by shot basis to best suit the composition of the image. Even after shooting, the 16:9 ratio can be converted to 3:2 or 4:3 with the camera according to your purpose of use.
The Extended Optical Zoom, made possible by using the center part of 10.2 megapixel high resolution CCD, further extends the zoom ratio to 5.5x for 5 megapixel image recording in 16:9 aspect with minimal deterioration.
Lumix's Image Stabilizing System Evolves
Taking advantage of its superior lens technology, Panasonic invented the Mega O.I.S.(Optical Image Stabilizer) to fight against the major cause of blurred images. It compensates for handshake and is now featured on the entire Lumix range, and having been highly evaluated and appreciated by the users across the world. Every slight hand shake movement is detected accurately with the sampling frequency at 4,000 times per second and will be compensated to render clear, sharp images. In addition, movement of the subject, the other major cause of blurred images, is suppressed by the advanced image processing LSI Venus Engine III with the Intelligent ISO Control (hereafter I.I.C.) and maximum ISO of 1600. The world's first incorporation of this I.I.C. allows the automatic adjustment of the suitable ISO setting and shutter speed that best suits the situation by analyzing the speed of subject movement. If the subject is moving, the ISO setting would automatically rise to allow high shutter speed. On the other hand, if the subject is still and no movement is detected, you can take beautiful natural images with a low ISO setting.
Accordingly the new Lumix automatically takes the best countermeasures against any causes of blurred images with Mega O.I.S. compensating for hand shake and the I.I.C. compensating for movement of the subject. Image stabilizing system is further evolving with Lumix.
Dramatically Reduced Noise with Venus Engine III
The DMC LX2 adopts the Venus Engine III to realize high sensitivity recording at maximum ISO 1600 at full resolution. The noise reduction system is greatly improved by removing noise at the processing stages in series. First, critical noise is roughly undraped and the chromatic noise and the luminance noise are separated to respectively go through the supplemental noise reduction process so that the remaining noise is appropriately minimized.
Despite the significantly increased performance of the camera, the Venus Engine III consumes only 80% of the power utilized by the Venus Engine II and is able to achieve a longer battery life of 300 pictures (CIPA) on a single charge. With its multi task image processing capability, the Venus Engine III also boasts outstanding response time with a shutter release time lag of as short as 0.009 seconds. minimum and the shutter interval of 0.6 seconds. The DMC LX2 enables easy capture of those spur of the moment shots. The DMC LX2 also allows unlimited consecutive shooting up to the capacity of the SD/SDHC memory card.
Joystick Operated, Intuitive Full Manual Control
The easy to use joystick operation and good design, which were part of the highly acclaimed trademarks of the predecessor, are inherited by the DMC LX2. The joystick was incorporated to facilitate operational ease and thereby get the best technical advantage of the multitude of functions offered by the camera. With the joystick it is possible to set focus and exposure manually, and also quickly shortcut to frequently used variables by just pressing and holding the joystick even while monitoring a subject on the LCD. The predecessor LX1 contained white balance adjustment, ISO setting, image size setting and compression format in its shortcut menu, and the light metering and AF mode settings are now added for the new LX2. It also allows the exposure compensation and selection of one out of nine focusing areas.
A switch on the side of the lens barrel lets you quickly change the focus mode between MF, AF or Macro AF. When you focus in the Manual Focus mode, not only the focus distance but also the DOF (depth of field) according to the zoom range and aperture is displayed. An MF assist function enlarges the center of the image to make focusing easier. The focusing area can be enlarged up to 4x and is movable, which also contributes to easy and comfortable manual focusing.
Crystal Clear, Large 16:9 2.8 Inch LCD
To express the best of the extensive 16:9 wide image recording, a 2.8 inch wide and large 207 k high resolution LCD is newly equipped. The pixel mixed readout method performed at the CCD achieves high sensitivity to offer sufficient brightness for easy shooting even in low lit situations. The Power LCD function boosts the brightness level by 40% to secure clear view even in sunny outdoors. The High Angle mode makes the display extremely easy to view from low angles, for example, when holding the camera up high to take pictures over a crowd and can be accessed easily and quickly by using the dedicated button.
High Definition 16:9 Wide Motion Image Recording
The DMC LX2 is capable of recording the 4:3 VGA (640 x 480) and 16:9 wide VGA (848 x 480) motion image recording at 30 fps. Shooting is one thing but viewing is another, and you will be suitably impressed by the 16:9 moving image when it is displayed on a wide screen TV. In addition, the LX2 can record motion images even in high definition (1280 x 720) format at 15 fps. The pixel mixed readout method assists the bright motion image recording even in low lit situation.
Faster Autofocus
The AF mode can be selected according to the shooting situation: 9 point, 3 point high speed, 1 point high speed, 1 point normal speed and Spot. In the 1 point and 1 point high speed AF mode, the AF area is selectable from the nine focusing areas with the joystick to best fit the composition of the subjects. Also, the AF assist lamp helps quick, accurate focusing in situations where focusing is difficult due to the lack of light. The AF/AE lock button is also succeeded from the predecessor.
A Variety of Scene Modes and Other Features to Enrich Your Photography
An even larger variety of scene modes are contained a total of 17 scene modes (not including Macro mode) to assist you in a wide range of photographic situations. The newly incorporated Beach mode is perfect for shooting in strong sunlight and the Aerial mode assists with shooting through the windows of an airplane. High Sensitivity mode is made possible by the pixel mixed readout method by the CCD, is ideal for shooting moving subjects clearly without blurring at a maximum sensitivity setting of ISO 3200.
For additional improvement, the Print mode is also added to the mode dial of the LX2 so that you can make prints by just connecting the camera to Pictbridge compatible printers via the included USB cable.
The DMC LX2 includes 13MB of built in memory to serve not just as a tool of shooting images but also as a digital album, to enjoy seeing and showing your favorite pictures.
Finally, to edit and develop RAW files, Silkypix Developer Studio 2.0SE software application is included with the DMC LX2. With that, you can freely adjust various setting such as exposure, white balance, and so on in post image processing of the RAW files.
In the tradition of the popular and well received FinePix S1000, Fujifilm presents its successor, the FinePix S1500. This 10 megapixel long zoom digital camera offers great range and flexibility with a Fujinon 12x optical zoom (33mm 396mm equivalent) and like all FinePix S series digital cameras, includes Fujifilm's Dual Image Stabilization and SR AUTO Automatic Scene Recognition mode to easily provide the best quality picture with increased clarity and sharpness, even in low light conditions. The FinePix S1500 also sports enhanced features like Panoramic mode, a Zoom Bracketing feature and full manual controls insuring the S1500 will keep up as your photographic skills develop.
Automatic Scene Recognition
SR Auto (Automatic Scene Recognition) enables the FinePix S1500 to intelligently recognize six types of scenes automatically. For each picture taken in this mode, the S1500 will optimize the ideal exposure, focus, white balance and ISO for the scene to ensure the best quality picture is captured with ease.
Dual Image Stabilization
Dual Image Stabilization is a marriage of mechanical sensor shift stabilization, to steady the photographer's hand, and Fujifilm's Picture Stabilization Technology, which uses fast shutter speeds with ISO high sensitivity, to prevent virtually all types of image blur. As a result, an increase in clarity and sharpness is achieved, even in low lighting conditions.
Rounding out the FinePix S1500's powerful feature set is a large 2.7 inch high resolution (230k dots) LCD, electronic viewfinder (EVF) and ISO levels of up to ISO 1600 at full resolution.
Fujifilm's FinePix S1500 also offers the following useful features:
purchase the perfect Fujifilm FinePix S1500 10MP Digital Camera with 12x Wide Angle Dual Image Stabilized Optical Zoom best value for money cheaper experiences
purchase the perfect Fujifilm FinePix S1500 10MP Digital Camera with 12x Wide Angle Dual Image Stabilized Optical Zoom best value for money cheaper experiences
CUSTOMER REVIEW
276 of 289 people found the following review helpful:
4.0 out of 5 stars Some people just LIVE to complain, May 31, 2009
This review is from: Fujifilm FinePix S1500 10MP Digital Camera with 12x Wide Angle Dual Image Stabilized Optical Zoom (Electronics)
First, I did not buy mine from Amazon, instead electing to get it instantly at Wal Mart.
I am also far from a camera expert.
With that said, I was quite pleased with this camera, which was a huge upgrade over my old Kodak DC340.
First, I REALLY like the generous 12x zoom with this camera, which enabled me to get excellent quality photos with good detail of two particular wary birds, a Bob White quail, and an Eastern Bluebird.
I also found the imagine stabilization feature useful for my less than completely still hands, and I need to reiterate that image stabilization has NOTHING to do with capturing a fast moving object, as Spacejockey seemed to believe.
Also, far from being annoyed by the flash having a button to pop it up, I really like being able to manually disable flash by leaving the flash physically latched down instead of having to mess around with menu controls to do it.
I fail to see how this is a negative, Spacejockey.
Likewise, I quite liked the intelligent face detection feature, which seemed to be particularly useful for the excellent automatic red eye removal feature.
Again, Spacejockey, why the grumbling about this feature?
Another point of contention is the gripe about the "double clicking" when taking photos.
Well, you can override that by pressing the shutter button completely without pause, but the first click is to allow you ensure your lens is fully focused on your target before committing to taking the shot.
You can press halfway, see if the focus indicator is on your target, then squeeze the rest of the way to take the shot.
Again, why the complaint about that?
Regarding the yellowish cast to photos taken indoors without flash, that is easily overcome by using the basic manual controls, which allow you to set the exposure appropriate to the lighting, which includes the "Tungsten" setting that is indicated for use indoors under incandescent lighting.
Problem solved, and I have to wonder why Spacejockey couldn't trouble himself to look into that before grumbling about that.
One point where I must agree with Spacejockey is the idiotic choice of micro USB connector instead of the far more common and useful mini USB connector used on most other portable electronic devices.
It's not as if this large camera had a space constraint to require that.
Was Fuji simply out to make its customers carry an extra cable instead of the mini USB they already have for their other devices?
One related complaint of my own, since I find myself instead electing to pop out the SD card to insert into an external card reader, is that it was a poor choice indeed to put the SD card slot inside the battery compartment, thus requiring the camera be powered off and having a fragile battery door undergo a finite open/close cycle that will accelerate it breaking and reducing the camera to an expense block of plastic.
Also, Spacejockey, macro mode should NEVER use zoom.
You want more detail for a close object, I suggest you GET CLOSER.
Sheesh!
Again, I have to disagree about the menu system, which I found easy to figure out, without really having to resort to the manual.
I also really like how large the LCD display is.
I tend to agree with the complaint about the lack of a printed manual, but this is a sad trend among electronic manufacturers these days.
Witness the utter lack of printed documentation AT ALL when you open up that stylish box your iPod comes in.
Regarding the inability to read the documenation found on the CD, I would suggest you contact Fuji to let them know that your disk was scratched and unreadable on a number of different computersm, and request they send you a free undamaged CD.
Regarding the panorama mode, I would not even consider using that in the field, unless I had a tripod and carefully positioned each shot to make the overlap as seamless as possible.
Failing that, I would do it up right on my computer with an image editor, so I have to wonder again at what seems a gratuitous gripe about a feature that Spacejockey probably never intended to use anyway.
Speaking of gripes, why the grumbling about lack of filters or lens accessories on a camera that is NOT an SLR?
This is a mid to high end point and shoot camera, and a motorized lens that moves in and out can get easily damaged by a filter or other such appliance attached to it.
Spacejockey, have you really thought that complaint through?
Sorry to sound as if I have some kind of axe to grind with Spacejockey, but I am a firm believer that a critical review really should focus upon being both fair and factual, and too many of the gripes leveled at this low to mid range camera seemed really lacking in both departments.
Anyone who has used the pocket sized point and shoot cameras, such as my old Kodak, will immediately see the improvement of this camera over those, but anyone wanting all the features demanded by Spacejockey would be better served with one of the better digital SLR cameras instead.
However, those SLR cameras are also targeted more at the experienced photographer, thus requiring far more manual control over the camera.
Again, there is nothing wrong with a critical review, but I have to be critical of SJ's review itself.
Nothing personal.
Help other customers find the most helpful reviews