Header Graphic
Cheapest  Digital Cameras Consumer Reviews
 
purchase the most popular Canon Powershot SD30 5MP Digital Elph Camera with 2 4x Optical Zoom Tuxedo Black most inexpensive low priced stories purchase the most popular Canon Powershot SD30 5MP Digital Elph Camera with 2 4x Optical Zoom  Tuxedo Black  most inexpensive low priced stories

CLICK HERE to go to official website

=> http://amzn.to/grKsO2 <=
The new Panasonic Lumix DMC LX2 is successor to the DMC LX1, which has received high acclaim worldwide for its unique 16:9 wide CCD, plentiful functions, and smart design. The DMC LX2 inherits the f2.8 28mm wide angle Leica DC lens, 4x optical zoom (equivalent to 28 112mm on a 35mm film camera), and Mega O.I.S. (Optical Image Stabilizer) system in addition to an enhanced CCD capable of taking images at 10.2 megapixel resolution, as well a larger, 2.8 inch 16:9 wide LCD.

The DMC LX2 is unique in that it incorporates three "wide" features: a 28mm wide angle Leica DC lens, 16:9 wide CCD, and 16:9 wide LCD. Not only that, the LX2 is further distinguished from other cameras by its full manual controllability with a joystick allowing users to easily enjoy creative shooting. The DMC LX2 also boasts a Venus Engine III high performance image processing LSI to dramatically reduce the noise that challenged the predecessor, realizing image recording at maximum ISO 1600 high sensitivity setting at full resolution.

To fight against the major cause of blurred images, Panasonic invented the Mega O.I.S. system, taking advantage of its superior lens technology to compensate for handshake. In addition, to also compensate for the other major cause of blurred images movement of the subject the LX2 is also equipped with the world's first Intelligent ISO Control (hereafter I.I.C.) and high sensitivity recording capabilities, up to a maximum ISO of 1600, within the advanced image processing LSI Venus Engine III. When set to the I.I.C., the Venus Engine III detects the subject's movement and adjusts the ISO setting and shutter speed to best suit the subject movement and the light condition automatically. Panasonic's excellent image stabilizing system allows users to take clear, crisp images in any situation, leaving everything to the camera.

The Lumix LX series are distinct from other compact cameras in the way they feature extensive manual controls including manual focus and manual exposure which can be smoothly operated with a joystick. This joystick further provides operation shortcuts to the frequently used settings including white balance, ISO, image size, compression format, light metering, and AF mode by simply pressing and holding it. It also allows exposure compensation and selection of one out of nine focusing areas.

The aspect ratio is easily selectable between 16:9 wide, 3:2, and conventional 4:3 with a switch located on top of the lens barrel to shoot in the framing aspect that best suits the subjects' composition or image's purpose of use.

In addition, the DMC LX2 is capable of recording wide 16:9 high definition (1280 x 720) motion image at 15 frames per second (fps).

Other features that elevate the DMC LX2 are the incorporation of 13MB of built in memory and the battery life that has been extended to up to 300 pictures on one charging (CIPA standard), so you won't miss those great spur of the moment shots. A print mode has been added to the mode dial so that you can print the images quickly and bundled software allows users to edit and develop RAW files.

The unique 16:9 wide CCD and 28mm wide angle Leica DC lens provide a unique view of the world and which is refined by the Panasonic's excellent image stabilizing systems of Mega O.I.S., the high sensitivity recording, and the I.I.C.

The Lumix DMC LX2 is like no other compact camera, enabling both high end amateurs and entry level users to explore the creativeness that surely enhances the joy of shooting.

10.2 Megapixel 16:9 Aspect CCD and f2.8 28mm Wide Angle 4x Optical Zoom Leica DC Lens
The DMC LX2 features a 10.2 megapixel 16:9 aspect CCD and f2.8 4x optical zoom 28mm wide angle (equivalent to 28 112mm on a 35mm film camera) Leica DC Vario Elmarit lens. Incorporating three aspherical lenses provides high optical performance while preserving the compactness of the unit. The aspect ratio can be easily selected between 16:9 or 3:2 in addition to the conventional 4:3 with a switch on the lens barrel on a shot by shot basis to best suit the composition of the image. Even after shooting, the 16:9 ratio can be converted to 3:2 or 4:3 with the camera according to your purpose of use.

The Extended Optical Zoom, made possible by using the center part of 10.2 megapixel high resolution CCD, further extends the zoom ratio to 5.5x for 5 megapixel image recording in 16:9 aspect with minimal deterioration.

Lumix's Image Stabilizing System Evolves
Taking advantage of its superior lens technology, Panasonic invented the Mega O.I.S.(Optical Image Stabilizer) to fight against the major cause of blurred images. It compensates for handshake and is now featured on the entire Lumix range, and having been highly evaluated and appreciated by the users across the world. Every slight hand shake movement is detected accurately with the sampling frequency at 4,000 times per second and will be compensated to render clear, sharp images. In addition, movement of the subject, the other major cause of blurred images, is suppressed by the advanced image processing LSI Venus Engine III with the Intelligent ISO Control (hereafter I.I.C.) and maximum ISO of 1600. The world's first incorporation of this I.I.C. allows the automatic adjustment of the suitable ISO setting and shutter speed that best suits the situation by analyzing the speed of subject movement. If the subject is moving, the ISO setting would automatically rise to allow high shutter speed. On the other hand, if the subject is still and no movement is detected, you can take beautiful natural images with a low ISO setting.

Accordingly the new Lumix automatically takes the best countermeasures against any causes of blurred images with Mega O.I.S. compensating for hand shake and the I.I.C. compensating for movement of the subject. Image stabilizing system is further evolving with Lumix.

Dramatically Reduced Noise with Venus Engine III
The DMC LX2 adopts the Venus Engine III to realize high sensitivity recording at maximum ISO 1600 at full resolution. The noise reduction system is greatly improved by removing noise at the processing stages in series. First, critical noise is roughly undraped and the chromatic noise and the luminance noise are separated to respectively go through the supplemental noise reduction process so that the remaining noise is appropriately minimized.

Despite the significantly increased performance of the camera, the Venus Engine III consumes only 80% of the power utilized by the Venus Engine II and is able to achieve a longer battery life of 300 pictures (CIPA) on a single charge. With its multi task image processing capability, the Venus Engine III also boasts outstanding response time with a shutter release time lag of as short as 0.009 seconds. minimum and the shutter interval of 0.6 seconds. The DMC LX2 enables easy capture of those spur of the moment shots. The DMC LX2 also allows unlimited consecutive shooting up to the capacity of the SD/SDHC memory card.

Joystick Operated, Intuitive Full Manual Control
The easy to use joystick operation and good design, which were part of the highly acclaimed trademarks of the predecessor, are inherited by the DMC LX2. The joystick was incorporated to facilitate operational ease and thereby get the best technical advantage of the multitude of functions offered by the camera. With the joystick it is possible to set focus and exposure manually, and also quickly shortcut to frequently used variables by just pressing and holding the joystick even while monitoring a subject on the LCD. The predecessor LX1 contained white balance adjustment, ISO setting, image size setting and compression format in its shortcut menu, and the light metering and AF mode settings are now added for the new LX2. It also allows the exposure compensation and selection of one out of nine focusing areas.

A switch on the side of the lens barrel lets you quickly change the focus mode between MF, AF or Macro AF. When you focus in the Manual Focus mode, not only the focus distance but also the DOF (depth of field) according to the zoom range and aperture is displayed. An MF assist function enlarges the center of the image to make focusing easier. The focusing area can be enlarged up to 4x and is movable, which also contributes to easy and comfortable manual focusing.

Crystal Clear, Large 16:9 2.8 Inch LCD
To express the best of the extensive 16:9 wide image recording, a 2.8 inch wide and large 207 k high resolution LCD is newly equipped. The pixel mixed readout method performed at the CCD achieves high sensitivity to offer sufficient brightness for easy shooting even in low lit situations. The Power LCD function boosts the brightness level by 40% to secure clear view even in sunny outdoors. The High Angle mode makes the display extremely easy to view from low angles, for example, when holding the camera up high to take pictures over a crowd and can be accessed easily and quickly by using the dedicated button.

High Definition 16:9 Wide Motion Image Recording
The DMC LX2 is capable of recording the 4:3 VGA (640 x 480) and 16:9 wide VGA (848 x 480) motion image recording at 30 fps. Shooting is one thing but viewing is another, and you will be suitably impressed by the 16:9 moving image when it is displayed on a wide screen TV. In addition, the LX2 can record motion images even in high definition (1280 x 720) format at 15 fps. The pixel mixed readout method assists the bright motion image recording even in low lit situation.

Faster Autofocus
The AF mode can be selected according to the shooting situation: 9 point, 3 point high speed, 1 point high speed, 1 point normal speed and Spot. In the 1 point and 1 point high speed AF mode, the AF area is selectable from the nine focusing areas with the joystick to best fit the composition of the subjects. Also, the AF assist lamp helps quick, accurate focusing in situations where focusing is difficult due to the lack of light. The AF/AE lock button is also succeeded from the predecessor.

A Variety of Scene Modes and Other Features to Enrich Your Photography
An even larger variety of scene modes are contained a total of 17 scene modes (not including Macro mode) to assist you in a wide range of photographic situations. The newly incorporated Beach mode is perfect for shooting in strong sunlight and the Aerial mode assists with shooting through the windows of an airplane. High Sensitivity mode is made possible by the pixel mixed readout method by the CCD, is ideal for shooting moving subjects clearly without blurring at a maximum sensitivity setting of ISO 3200.

For additional improvement, the Print mode is also added to the mode dial of the LX2 so that you can make prints by just connecting the camera to Pictbridge compatible printers via the included USB cable.

The DMC LX2 includes 13MB of built in memory to serve not just as a tool of shooting images but also as a digital album, to enjoy seeing and showing your favorite pictures.

Finally, to edit and develop RAW files, Silkypix Developer Studio 2.0SE software application is included with the DMC LX2. With that, you can freely adjust various setting such as exposure, white balance, and so on in post image processing of the RAW files.


Sure it's a fashion statement, but the PowerShot SD30 Digital ELPH lives up to its looks with impressive features including a 5.0 Megapixel CCD, high quality optical zoom and a cool new Camera Station. You'll carry this camera for its style, but use it for its easy interface and consistently gorgeous images. Now the ultimate in camera couture comes in a 5.0 Megapixel package with 2.4x Optical Zoom All new, sophisticated design that exudes class in four new colors that speak for themselves: Rockstar Red, Tuxedo Black, Glamour Gold and Vivacious Violet DIGIC II Image Processor for even faster processing speed, crisp vibrant colors and excellent image quality 1.8 inch LCD screen enables you to view your images on camera with ease Fashionable cradle with wireless remote for playback and printing included for added flexibility at home, the office or virtually anywhere 16 Shooting Modes to capture every situation, including Canon's original My Colors Mode for customization while shooting Print/Share Button for easy direct printing and downloading plus ID Photo Print and Movie Print with Canon CP and SELPHY Photo Printers


purchase the most popular Canon Powershot SD30 5MP Digital Elph Camera with 2 4x Optical Zoom Tuxedo Black most inexpensive low priced stories

purchase the most popular Canon Powershot SD30 5MP Digital Elph Camera with 2 4x Optical Zoom Tuxedo Black most inexpensive low priced stories




CUSTOMER REVIEW




156 of 162 people found the following review helpful:
5.0 out of 5 stars VERY pleasing pictures, if given enough light, November 23, 2005
This review is from: Canon Powershot SD30 5MP Digital Elph Camera with 2.4x Optical Zoom (Tuxedo Black) (Electronics)
I have used a few other digital cameras, and so I will compare
performance when I can.

Specific Observations


I programmed the camera to use its lowest ISO setting (50), spot
metering, spot auto focus, largest image file size, and highest image
compression quality. The rest of this post assumes these settings.

1. The camera is quite fast, faster than my old Canon SD10. Both
shutter button response time, and shot to shot delay have been
improved significantly. Nice going Canon!
2. With "spot" autofocus selected, the camera seems to do very well.
With my old SD10, I would regularly obtain photos that were
grossly out of focus. It does not seem to happen with the new
SD30. Thank you Canon!
3. The "deluxe" kit features a very nice soft case. It fits perfectly
and looks good. I consider this to be a "must" for a tiny,
carry it everywhere gadget. All of the stores I checked stocked
the "deluxe" kit, perhaps there is no other kit for sale. But I
suggest that you confirm that you are getting the Canon SD30 soft
case with your purchase.
4. The flash intensity cannot be adjusted, as far as I can tell. It
is therefore difficult to photograph certain shiny objects, such as
circuit boards and small machinery. This is giving me fits. The
available flash power is not much either. This is no shame for Canon
really, since the size of the tube must be small in a midget camera
like this. By comparison, the Casio Exilim EX S500 can produce
significantly more light.
5. After some practice, I am very pleased with the image quality that
I am getting from this camera, at least when there is adequate
lighting. The SD30 produces what I have come to regard as the "Canon
look." I'm not sure if the photos are especially true to life, but
they are extremely pleasing. I see highly saturated colors, sharp
focus, low noise, and pleasant "warm" skin tones. I also detect this
"Canon Look" in photos coming out of the Sony Cybershot DSCP200. I
suspect that Sony and Canon use the same image sensors. I compared
photos of the same objects taken with the Canon SD10 and a Casio
Exilim EX S500. The pictures coming out of the Casio are fuzzy by
comparison. The side by side comparison also makes the Casio pictures
look a bit washed out. The Casio pictures have much more chroma
noise too.
6. The macro capability is excellent. The camera has a feature which
puzzled me at first. Now I understand that it is pure genius: the
best macro performance occurs when the lens is zoomed to its maximum
(2.4x). With the zoom at maximum tele, I can reliably fill the image
frame with an object that is 5 cm across (left to right) or smaller.
Where does the genius come in? Most other cameras are engineered so
that the most extreme macro performance is achieved when the lens
is at its full wide angle setting. If the SD30 was designed this
way, then the camera would have to be positioned very close to its
subject matter. When this occurs, shadows from the camera and the
photographer's hands would interfere with the photogaraph. The
performance of the flash unit would also suffer. Good job Canon! I
have taken some really amazing macro shots of ears, for example. It
sounds disgusting, but I was able to discern incredible detail in
the subject matter and learn how to use the camera's macro mode.
It was almost like working with a microscope. My macro photos
were all "hand held," no tripod used. Nevertheless, most of them
turned out well. Many looked "razor sharp."
7. The camera feels solidly durable. The various buttons and other
controls are especially firm. I also like the Casio Exilim EX S500
in this regard, but the Canon controls are more solid, with no
side to side play.
8. The SD30 is not as amazingly small as the old SD10. I would not
want to carry it in the breast pocket of a man's dress shirt, for
example.
9. You must use the (included) cradle to charge the camera's battery.
Although the cradle is reasonably small, it still sucks for
travelling light. There is probably an accessory you can purchase
that travels better than the cradle and power cable that is
included in the "deluxe" kit. I haven't shopped for such
accessories yet.
10. The camera retains a feature of the SD10 that I absolutely HATE:
it resets its metering mode to "evaluative" after every power cycle.
Like all other digital cameras, the only metering mode that works
worth a damn is "spot." At power up, it takes me 8 button pushes to
get the camera to "spot" meter. The main value of a tiny camera is
that you can carry it everywhere, and capture unplanned events.
Those 8 extra button pushes really detract from the value of this
type of machine. (Sorry for venting).
11. When connected to a computer, the camera will NOT emulate a disk
drive, the way many other cameras do. It is still an easy matter
to transfer pictures to the PC, but I prefer the increased
flexibility of disk drive emulation.
12. The quality of the motion video in the SD30 is pretty bad. There
is a 320x240/20fps mode and a 640x480x15fps mode. The 320x mode
has bad spatial resolution. I don't like looking at the "movies"
produced in this mode. The 640x mode looks jerky, because of its
15fps rate. By comparison, the Casio Exilim EX S500 does a bit
better.

Conclusion


The Canon SD30 is one of the smallest digital cameras available today.
This type of camera, by its nature, must have compromises. I find it
interesting to compare the different approaches to design evident in
the Canon SD30 and the Casio Exilim EX S500. I believe that these two
are the best of the tiny cameras, though in different ways.

Both cameras are fast (shutter lag and shot to shot delay). Both are
handsome and appear to be constructed nicely. Both cameras use SD cards
for storage, which I prefer. This card format is physicallly small, and
it is not controlled by a single vendor, like Sony and its Memory Sticks.

Canon offers excellent image quality. Like the old Canon SD10, the
photographs have a certain "Canon look" that is very appealing. I suspect
that this "look" is the result of high color saturation, sharp contrast,
and low noise. White balance is nicely done too.

The user interface of the Canon is spare. There are not a lot of features
for the user to play with. The simplicity will be a godsend for some
users. Personally, I would have preferred to have more control.

I believe that it is useful to compare the Canon SD30 to the Casio Exilim
EX S500. The Casio offers a TON of features! It has more "scene" modes.
It can function as a sound (only) recorder. It can photograph documents
and force them to look rectangular (remove keystone effect). Best of
all, the Casio can be programmed to remember some of its settings, and
reset others, when it is powered off. The customer gets to choose which
settings are remembered. Too bad about the chroma noise and soft focus
though.

Before I obtained the Canon, I already had an EX S500. I had planned to
keep one of these cameras and give away the other. But frankly, I don't
like the thought of parting with either of them. Comparing these two
cameras has made me appreciate both of them. A few monthes ago, I wrote
a review of the EX S500 that was fairly negative, due to image quality
issues. Oddly enough, I respect Casio more now. This, in spite of the
fact that the Canon SD30 does produce superior photographs, as I expected.
Both cameras are engineering marvels! The Canon produces beautiful
photographs and stunning macro images. The Casio is a "Swiss Army Knife"
of useful features that can be customized to match the tastes of the
owner. Also, the Casio has a superior shape for carrying everywhere.

Looking Forward


In the next few monthes, at least two new cameras will appear that are
in the same size class as the Canon SD30.

Sony will soon deliver its Cybershot T9. The reviews that I have seen
indicate that the previous "T" cameras had pretty bad image quality.
This includes the T7, which is probably the tiniest camera available.
The T9 will be somewhat larger. Perhaps Sony will do a better job with
it.

Casio will replace the 5 megapixel Exilim EX S500 with a 6 megapixel
EX S600. The feature set won't change much, but it is already superb,
as I have claimed above. Perhaps the new camera will offer better image
quality? Increasing the pixel count is not likely to solve any noise
problems. But until the camera is delivered, who knows?

In my opinion, it is reasonable to buy now, rather than wait for these
new cameras to arrive. Both the Canon SD30 and the Casio Exilim EX S500
are great.
Help other customers find the most helpful reviews 

CLICK HERE for more information

=> http://amzn.to/grKsO2 <=